DJANGO REINHARDT Vol.5
'H.C.Q.Strut'
Original Recordings 1938-1939
Classic recordings by The Quintet of the Hot Club of France
By mid-1938, the Quintet of the Hot Club of France was not
only the top jazz band in Europe but one of the most exciting music groups in
the world. Although only fifteen
months away from breaking up due to circumstances way beyond their control,
guitarist Django Reinhardt and violinist Stephane Grappelli were at the height
of their musical partnership.
Jean Baptiste "Django" Reinhardt was born 23 January 1910 in
Liverchies, Belgium. A member of a
gypsy family that traveled all over Europe, Reinhardt grew up hearing music
(mostly traditional gypsy melodies) and early on took up the banjo. He had a natural musical ability, began
doubling on guitar, and played dance and folk music in establishments in
France. But a major tragedy almost
finished his career before it had started. While he was asleep one night in his caravan, a fire erupted
and Django was seriously burned, resulting in two of the fingers on his left
hand becoming permanently unusable.
Doctors in a hospital suggested amputating his hand altogether, but
luckily some friends snuck him out one night and he was able to recover by
himself. Reinhardt spent all his
time relearning the guitar, figuring out how to finger chords with just two
fingers and a thumb, and developing a completely new style. Around this time he discovered jazz and
the joy of improvising through the records of Louis Armstrong.
By 1930 Reinhardt was back to playing music, and the
following year he met Stephane Grappelli when they were both hired to play in
the same orchestra. The violinist
was almost exactly two years older (being born 26 January 1908 in Paris) and a
major contrast to Django in that he was well schooled, sophisticated and
reliable. However both musicians
shared a love for performing and for swinging jazz. Grappelli had been a professional musician since 1923 and
had gained plenty of experience in dance bands before meeting up with the gypsy
guitarist.
In 1933 Reinhardt and Grappelli crossed paths for the second
time and a jam session backstage made them notice their special musical
chemistry. Soon they were
co-leading the all-string Quintet Of The Hot Club Of France which consisted of
Stephane's violin, Django's acoustic guitar, two rhythm guitarists and a bassist. It quickly became obvious to listeners
that Reinhardt was the world's best jazz guitarist and that Grappelli was on a
par with Joe Venuti, the pacesetting jazz violinist.
This compilation has the most rewarding recordings by
Reinhardt and Grappelli from the last period of the original Quintet of the Hot
Club Of France. Though there had
been musical magic from the time of the group's first recordings in late 1934,
after three and a half years together, the comfort level was so high that by
June 1938 the musicians were constantly challenging each other. The Reinhardt/Grappelli original Swing
From Paris starts off the programme with an advanced line that almost sounds
like bebop, as does the violinist's opening break. The next six selections were recorded during the Quintet's
late-summer visit to England. The
Flat Foot Floogee had become a big novelty hit when guitarist-singer Slim
Gaillard recorded it with bassist Slam Stewart six months earlier. Django and Stephane ignore the novelty
elements and simply swing the tune.
Lambeth Walk was both a walking dance and a charming melody from the
1937 British musical Me And My Gal.
The co-leaders effectively take turns being the lead voice throughout
this delightful performance.
Both Reinhardt and Grappelli had opportunities to lead their
own record dates in the 1930s, usually with groups smaller than the
Quintet. Seven of the guitarist's
selections are on this set including the next four numbers, three of which have
Grappelli accompanying Reinhardt on what was his first instrument, the
piano. Irving Berlin's I've Got My
Love To Keep Me Warm would have its most famous recording a few years later by
Les Brown's orchestra in a rather explosive arrangement. In contrast, Django's rendition is
lyrical, at least until the tempo doubles for the last chorus. Please Be Kind is associated with Benny
Goodman, who recorded the love song with Martha Tilton's vocal in early 1938,
but that version is quite straight compared to Reinhardt's tour-de-force. Louise is still owned by the legendary
Maurice Chevalier but it is difficult not to enjoy Django's variations,
especially when he plays the melody over minor chords for a half-chorus. For Improvisation, Reinhardt is heard
by himself, mostly playing chords in a spontaneous piece that holds up well.
The full Quintet returns for the first of its five 1939
sessions. The romping
Reinhart/Grappelli piece Hungaria bears more than a passing resemblance to "Bye
Bye Blues" and features the band getting hot. Jeepers Creepers is slightly more relaxed with Django
stretching himself. He makes every
note count and sounds so effortless that it leads to one wondering why no other
guitarist of the period (at least until Charlie Christian emerged later in the
year) was on his level. My
Melancholy Baby, long maligned as the No.1 song requested by drunks, is
actually a superior tune as the Quintet shows in swinging fashion. The romantic Time On My Hands has
Grappelli caressing the melody and Reinhardt uplifting the tune with his fresh
ideas and inspired accompaniment of the violinist. Django's Twelfth Night is one of his better originals and it
cooks from start to finish. Tea
For Two is a song that would remain in Grappelli's repertoire for the next six
decades with this interpretation being quite loving.
On 30 June 1939, Django Reinhardt recorded seven selections
in several different settings, five of which are included here. The Quintet plays the guitarist's
Stockholm which sounds quite modern for the period in its chord voicings. Grappelli and rhythm guitarist Pierre
Feret sit out for a medium-tempo I'll See You In My Dreams, which is entirely a
showcase for Reinhardt's creativity with a trio. On the introspective Echoes Of Spain, Django's unaccompanied
guitar hints at what he could have accomplished had he chosen to play classical
music instead of jazz. The Quintet
returns for a particularly infectious reading of Noel Coward's The Younger
Generation and Reinhardt plays another quiet but sophisticated guitar solo on
his Naguine.
By the time the Quintet of the Hot Club of France gathered
in a London recording studio on 25 August 1939, World War II was under
way. The Man I Love is quite
unusual for the Quintet since the bulk of this performance has Grappelli
switching to piano, dueting with Reinhardt before the other members of the
group join in during the last chorus.
Concluding both this reissue and the recorded legacy of the classic band
is H.C.Q.Strut, an original similar to "Jeepers Creepers" that offers listeners
one last chance to hear the Grappelli-Reinhardt musical partnership in its
early period.
Shortly after the record date, Django Reinhardt
spontaneously decided to return home to France while Stephane Grappelli opted
to remain in England. They would
not see each other or record together again for seven years. Both would have many major musical
adventures in their future but they will always be most famous for their
accomplishments with the Quintet of the Hot Club of France.
Scott Yanow
- author of eight jazz books including Swing, Jazz On Record
1917-76, Classic Jazz and Trumpet Kings